Maya’s intelligence is its condensation of architectural mediations (section, plan, program) into the specific convolutions of force-animate surfaces and physiognomic formal complexities. At first this revealed a hypertrophic formal imaginary, but emergent in today’s design generation is a renewed exploration with intrinsic and extrinsic structure, both as systemic operation and has a performative criterion. At issue is not the re-application of structural precepts to the fabrication of such architectures, but the induction of a specific machine-physiology of form, assembly and habitation.

This seminar, a belated exercise in ‘becoming-animal,’ is not about the mimetic career of biology into and onto architecture, but of the transference of multiple physioiologic scales into the systemic intelligence of the involute surface-dwelling, and back again.

The ocular nerve of the owl, the locomotion of the giant jellyfish, the pack logistics of the rat(s), the program of the frog’s anus, are not just forms, organic symmetries and baroque geometries. They are machines, they are solutions, partial grammars to take shape for us, and we for them. Maya already shifts our thinking and clicking away from the wedge, volume, void, plane and into the joint, organ, cavity, skin: hardly blobs, rather fleshes.

What is the language of armature, of anatomy to be derived? Mere undulation is primitive, curvation per se is passé. Iteration is intrinsic but autonomic. What is emergent, already before us here and there, is a biotechnological and biopolitical shift in the vocabulary of tectonics: ingestion, circulation, digestion, expression, reproduction, prolapse, affinity. speciation, locomotion, armature, orifice, membrane, interface, biomimicry and its immolations, software and its latencies, and perhaps most of all, camouflage.

This seminar is to be taken in conjunction with Hernan Diaz-Alonso’s vertical studio of the same name. Seminar readings, discussions and crits will focus on the program and projects developed for that specific studio, and will also depart from them on regular occasion.

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Schedule

  1. Lecture 1: From Genetic to Genomic Architecture

  2. Lecture 2. Ooz and Feral City: Cat Head Sculptures

  3. Body Worlds 2: Field Trip

  4. Lecture 3: Fashion is the Deepest Ecology

  5. I Love Cephalopods: Field Trip

  6. Lecture 4: Prosthesis and Fundamentalism

  7. Readings and Project Reports

  8. Desk Crit 1

  9. Lecture 5: Maya and Physiognomy

  10. Lecture 6: Bare Life and the Design of Flesh

  11. Group Projects, reviews 1

  12. Desk Crit 2

  13. Group Projects, reviews 3

           

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Required Readings

Biomedia by Eugene Thacker

The Elementary Particles by Michel Houllebecq

Reader to be available in student store.Including works by Critical Art Ensemble, Greg Lynn, Georges Canguillem, Felix Guattari, Giorgio Agamben, Mark Wigley, Roger Friedland. Maurice Meleau-Ponty, J.G. Ballard, and others.

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References and Recommended Books

Biopolitics

The Body in Pain: The Making and Unmaking of the World by Elaine Scary

Frankenstein by Mary Shelley

Death, Dismemberment and Memory: Body Politics in Latin America by Lyman L. Johnson

Visions of Excess, Selected Essays by Georges Bataille

Homo Sacer: Sovereign Power and Bare Life by Georgio Agamben

The Theory and Practice of Hell: The German Concentration Camps and the System Behind Them by Eugen Kogen

Auschwitz: A Doctor’s Eyewitness Account by Miklos Nyiszki

The Foucualt Reader, edited by Paul Rabinow

Maurice Merleau-Ponty, Selected Writings

Vermillion Sands by J.G. Ballard

The Haraway Reader, Donna Haraway

Zoomorphology

Extreme Beauty: The Body Transformed by Harold Koda

Zoomorphic: New Animal Architecture by Hugh Aldersey-Williams

Biomorphic Architecture: Human and Animal Forms in Architecture by Gunther Feuerstein

Folds, Blobs and Bodies: Collected Essays by Greg Lynn

Next Generation Architecture: Folds, Blobs and Boxes by Joseph Rosa

Mood River, ed. By Jeff Kipnis et al.

Holy Terrors: Gargoyles on Medieval Buildings by Janetta Rebold Benton

Telepresence and Bio Art: Networking Humans, Rabbits and Robots by Eduardo Kac

Atlas of Formal Flesh

Animal Physiology by Richard W. Hill et al.

Vertebrates: Comparative Anatomy, Function, Evolution by Kenneth Kardong

Atlas and Dissection Guide for Comparative Anatomy by Saul Wischnitzer

Hyman’s Comparative Vertebrate Anatomy by Marvalee H. Wake

Cephalopod Behavior by Roger T. Hanlon

Cephalopod: A World Guide by Mark Norman and Helmut Debelius

Invertebrates by Richard C. Brusca et al.

The Visible Human Project: Informatic Bodies and Posthuman Medicine by Catherine Waldby

Atlas of the Visible Human Male: Reverse Engineering of the Human Body by Victor M. Spitzer and David G. Whitlock

Kinesiology of the Musculoskeletal System by Donald A. Neumann

Essentials of General Surgery by Peter F. Lawrence, et al.

Principles of Anatomy and Physiology by Gerard J. Tortora, et al.

Zoontologies

Representing Animials by Nigel Rothfels

The Postmodern Animal by Steve Baker

Zoontologies: The Question of the Animal by Cary Wolfe

Animal Rites: American Culture, The Discourse of Species and Posthumanist Theory by Cary Wolfe

The Open: Man and Animal by Giorgio Agamben

Animal Liberation by Peter Singer

On the Origin of Phyla by James W. Valentine

Acquiring Genomes: The Theory of the Origins of the Species by Lynn Margulis and Dorian Sagen